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A View of Lincoln from the South at Little Bargate (1824)

This is a lively oil sketch for the larger painting in the Usher gallery Collection ‘Lincoln from the South’.

The Little Bargate on the left of the painting no longer exists, but helps to pinpoint the exact location of the view; at the bottom of the modern High Street. Bargate, built in the 12th Century together with Great Bargate with the short piece of wall between them, formed the only known defences for Wigford, other than its waterways.

Oil on millboard 31x50.5 cms | Purchased by the Museums and galleries Commission/Victoria and Albert Museum Purchase Fund, the Hesalm Trust, National Art Collectors Fund, Friends of Lincoln Museums and gallery, 1995 | UG95/4

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About the Artist

Peter de Wint (1784-1849)

De Wint was introduced to Lincolnshire by fellow apprentice, friend and future brother in law William Hilton (1786-1839). In 1809 he became a student at the R.A. and the following year married Harriet Hilton. In 1814 De Wint bought some property near the south-west corner of Lincoln Castle at the junction of Drury Lane and Union Road, which was also occupied by Hilton when they were in Lincoln. With the exception of a visit to Normandy, his travels were confined to England and Wales.

In his landscapes, chiefly of river and harvesting scenes, he is very fond of the shallow broad panorama, often enclosed by sombre masses of woodland – he also uses a St Andrew’s cross composition. Trees are built up in several layers of superimposed blues and greens becoming darker in tone. There is much brown, green and orange in his work, but this may be due to fading, from which the drawing has often suffered badly. In particular, his skies are now often pink or non-existent.

Toward the end of his life, his style became freer, and the effect is closer to the sketchiness of his pencil drawings.

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